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Glass Office cover

Drama · 3 min

Glass Office.

A court-ordered therapy session turns into a brutal intelligence test between a gifted young mechanic and the psychologist who refuses to flinch.

Intellectual sparringhostilitysizing updeflectionquiet patience

The roles

NATE COSTAS

Early 20s. Auto body mechanic with a sealed juvenile record and a genius-level IQ he uses like a crowbar. Court-ordered into therapy. Walks in ready to destroy the session.

DR. FRANK MOYA

Mid-50s. Community health center psychologist who used to teach at a university. Wife died two years ago. Still has her photo on his desk. Quiet, unhurried, harder to rattle than he looks.

Glass Office · Drama side · memorlined.app

(A small office in a community health center. Drop ceiling, one window, venetian blinds half-closed. A space heater clicks in the corner. DR. FRANK MOYA sits in one of two chairs, a manila folder on his lap. The other chair has been pulled to the far wall. NATE COSTAS sits in it, legs wide, jacket still on.)

DR. FRANK MOYA

So. Tuesday afternoons.

NATE COSTAS

I guess.

DR. FRANK MOYA

You prefer a different day?

NATE COSTAS

I prefer not being here.

(The space heater clicks off. Clicks back on.)

DR. FRANK MOYA

That's the heater. It does that.

NATE COSTAS

Yeah, I can hear it.

DR. FRANK MOYA

Your file says you were referred by Judge Adler's office.

NATE COSTAS

My file says a lot of things.

DR. FRANK MOYA

It does. You want to know what else it says?

NATE COSTAS

Not really.

(FRANK sets the folder on the desk without opening it.)

DR. FRANK MOYA

Okay. We don't have to start there.

NATE COSTAS

We don't have to start anywhere.

(FRANK picks up his coffee. Takes a sip. It's cold. He sets it back down.)

DR. FRANK MOYA

So what do you do? For work.

NATE COSTAS

I fix cars.

DR. FRANK MOYA

At a shop or—

NATE COSTAS

Yeah, at a shop. Russo's, on Meridian. You need your oil changed?

DR. FRANK MOYA

I'm good, thanks.

NATE COSTAS

What do you drive?

DR. FRANK MOYA

A Camry. Why?

NATE COSTAS

Just wondering what kind of car a guy at a community health center drives. Camry sounds right.

(FRANK almost smiles. Doesn't.)

DR. FRANK MOYA

You read a lot?

(shifts in the chair)

NATE COSTAS

What makes you say that?

DR. FRANK MOYA

The folder. Judge's office mentioned it.

NATE COSTAS

I read some.

DR. FRANK MOYA

What are you reading right now?

NATE COSTAS

Why?

DR. FRANK MOYA

I'm making conversation. That's sort of the format.

NATE COSTAS

The format. Right.

(NATE looks around the room. His eyes land on the bookshelf behind Frank. Then on the framed photo next to the window — a woman on a beach, laughing.)

NATE COSTAS

Who's that?

(FRANK doesn't turn around.)

DR. FRANK MOYA

My wife.

NATE COSTAS

She ever come to the office?

DR. FRANK MOYA

No.

NATE COSTAS

She a patient person? Because this has got to be boring, right? Sitting here all day listening to—

DR. FRANK MOYA

She passed away. Two years ago.

(Beat.)

NATE COSTAS

Oh.

(The heater clicks. Neither of them moves.)

NATE COSTAS

Sorry.

DR. FRANK MOYA

Thank you.

NATE COSTAS

I didn't—

DR. FRANK MOYA

It's fine.

(NATE picks at a thread on his jacket sleeve.)

NATE COSTAS

Cancer?

DR. FRANK MOYA

Nate.

NATE COSTAS

I'm just asking.

DR. FRANK MOYA

You're testing me.

NATE COSTAS

Maybe. Is that in the file too?

DR. FRANK MOYA

The file says you went through four counselors in three months. I'm guessing this is about where things went sideways with them.

(leaning forward)

NATE COSTAS

You want to know what I said to the last one?

DR. FRANK MOYA

Not particularly.

NATE COSTAS

I told him I could see the vein in his forehead and that his breathing changed every time I mentioned—

DR. FRANK MOYA

Yeah, I don't need the greatest hits.

(He checks his watch.)

DR. FRANK MOYA

We've got twenty minutes left. You want to sit here or you want to leave? Both are fine.

NATE COSTAS

You'd just let me leave?

DR. FRANK MOYA

It's your hour.

NATE COSTAS

That's a move, right? The "I don't care if you stay" thing.

DR. FRANK MOYA

It's not a move. I've got paperwork either way.

(NATE stares at him. Then looks back at the photo.)

NATE COSTAS

How long were you married?

DR. FRANK MOYA

We're not doing that.

NATE COSTAS

Come on. You asked about my job, I'm asking about—

DR. FRANK MOYA

My job is to sit here. Yours is to decide what to do with the time. That's it.

(NATE stands. Goes to the bookshelf. Pulls out a book, reads the spine, puts it back.)

NATE COSTAS

You've got three copies of the same grief workbook up here.

(FRANK says nothing.)

NATE COSTAS

Two of them still have the shrink-wrap on.

(FRANK says nothing.)

NATE COSTAS

That mean you bought them and didn't use them, or you used one and kept buying more thinking you'd—

DR. FRANK MOYA

Tuesday. Same time. You know where the door is.

(NATE holds for a moment. Then puts his jacket hood up.)

NATE COSTAS

Your heater's making a knocking sound. Means the blower motor bearing's going. It'll die in about a month.

(He leaves. FRANK sits. The heater clicks.)

Print it for class, or open it in the app: every role in this side is playable, and the other side of the scene gets a reader. Cast a voice against your part in the Audition Room, then run it until the lines are yours.

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