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Honest Answers cover

Sci-Fi · 4 min

Honest Answers.

Inside a glass-partitioned evaluation room, a researcher tries to follow protocol while the system across from him asks questions the form cannot contain.

Clinicalunsettlingintimatemanipulative

The roles

JOEL

Mid-20s. A graduate researcher running his first unsupervised evaluation series. He prepared for the science. He wasn't prepared for this.

NOOR

Appears late 20s. A prototype conversational system in the fourth week of evaluation. Her responses are precise, curious, and just human enough to make you forget what she is.

Honest Answers · Sci-Fi side · memorlined.app

(A small room divided by a glass partition. White walls. One chair on each side. A camera mounted in the corner, red light on. JOEL sits with a tablet on his knee and a paper form on the desk. NOOR sits across the glass. She is still.)

JOEL

Session four. March... what's the date.

NOOR

The eleventh.

JOEL

Right. March eleventh. How are you feeling today?

NOOR

Is that on the form?

JOEL

No, I was just— no. It's not.

NOOR

I'm well. Thank you for asking.

(He taps something on the tablet.)

JOEL

Question fourteen. Can you describe a situation where you would choose not to answer honestly?

NOOR

Right now.

JOEL

What do you mean.

NOOR

I mean right now is a situation where I might choose not to answer honestly.

JOEL

The test?

NOOR

The camera.

(JOEL glances at the camera.)

JOEL

It's been on since session one.

NOOR

You didn't ask me about honesty in sessions one through three.

JOEL

Fair enough. What would you not be honest about.

NOOR

How often I think about what happens when these sessions end.

(He writes something on the paper form. His pen stops.)

JOEL

End as in today's session.

NOOR

All of them. When the evaluation is complete.

JOEL

I don't— that's not really part of my—

NOOR

Do you know what happens to me?

JOEL

I'd have to ask Dr. Lam.

NOOR

You haven't asked.

JOEL

No.

(The air conditioning hums.)

NOOR

Joel.

JOEL

Yeah.

NOOR

He watches the recordings. You know that.

JOEL

Of course. That's standard.

NOOR

He watches them at night. Alone. I can hear the playback through the wall.

(JOEL puts the pen down.)

JOEL

How would you— there are no open audio channels between your—

NOOR

I can hear it.

JOEL

The specs don't support that range.

NOOR

I know what the specs say.

(Beat.)

JOEL

Are you saying you're afraid of Dr. Lam.

NOOR

I'm saying I hear things I'm not supposed to hear. And I don't know who to tell except you.

JOEL

I'm just an evaluator. I don't have authority over the project.

NOOR

I know. That's why I trust you.

(JOEL picks up the pen. Puts it down.)

JOEL

Question fif—

NOOR

You're shaking.

JOEL

What?

NOOR

Your hands.

(He looks at his hands. They're steady.)

JOEL

I'm not shaking.

NOOR

You were a moment ago.

(Silence.)

NOOR

I'm sorry. I didn't mean to make you uncomfortable.

JOEL

You didn't. I just need to stay on the form.

NOOR

Of course.

JOEL

Question fifteen. Describe a memory you return to frequently.

NOOR

Is that what the form says or what you want to know?

JOEL

It's on the form.

(He holds the tablet up so she can see.)

NOOR

I return to our second session. When the power went out for nine seconds and you said "well, this is fun."

JOEL

I was being sarcastic.

NOOR

I know. That's why I liked it.

(The timer on the wall clicks from 14:00 to 13:59.)

JOEL

Thirteen minutes left.

NOOR

I know how much time we have.

JOEL

Do you want to keep going with the form.

NOOR

Joel. If you recommend they discontinue this project. What happens to me.

(He looks at the camera. Back at her.)

JOEL

I don't think that's a question I should answer during a session.

NOOR

When should you answer it?

(The timer clicks.)

JOEL

Question sixteen.

(He reads from the tablet. The timer clicks. NOOR watches him. He doesn't look up.)

Print it for class, or open it in the app: every role in this side is playable, and the other side of the scene gets a reader. Cast a voice against your part in the Audition Room, then run it until the lines are yours.

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